![]() I learned so much from each of my experiences at those studios but I really had a passion to specialize in character/creature work. It’s a never-ending process but once you start, you will get addicted to it for sure. You can teach yourself with some amazing books out there, but you have to be incredibly disciplined. ![]() Andrew Cawrse is an incredible teacher but you have to apply what you have learned asap. is a great place to go and have a great foundation in how to learn from your many anatomy books. Comparative anatomy is critical in learning about other species. Krystal Sae Eua: I would highly recommend that they study humans first. Something that you may or may not have observed in nature or in yourself.ī&a: For someone who would like to learn more about anatomy (of humans and animals) and applying that to their CG work, what would you suggest they do? ![]() A dynamic sculpt should draw you into the moment with lines. ![]() It’s an ephemeral concept but I am fascinated by the form in the height of drama, or the apex of a movement. I personally love gestural work the most. Krystal Sae Eua: I would describe dynamic sculpture as a piece that captures a moment in time during an action. B&a: I feel like you’ve become well known for ‘dynamic animal sculpting’? How would you describe exactly what that is? And what makes for a dynamic sculpt, in your opinion? ![]()
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